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Dressing The Stones
Raising The Foreign Stones
Salisbury Plain
Stonehenge Summarised Useful Facts For The Attention Of Visitors
Tenons And Mortices
The Barrows Of Salisbury Plain
The Building Of Stonehenge
The Druid Question
The Earthwork
The Foreign Stones
The Hele Stone Or Friar's Heel
The Legend Of The Friar's Heel
The Lithology Of Stonehenge
The Men Of The Barrows
The Process Of Erection
The Round Barrows
The Slaughtering Stone
The Stones Without The Circle
The Story Of The Sarsens
What Was Stonehenge?
When Was Stonehenge Erected?

The Building Of Stonehenge

The question is often asked, How did they build Stonehenge? There is
a refreshing simplicity about that indefinite word they, but for the
present, whoever they may be, it is possible to some extent, at all
events, to furnish an answer to this ever recurring query. In the
first place, however, it may be well to recapitulate very briefly the
conclusions already arrived at, before entering into a more detailed
description of the tools which were employed in the work of erection,
and the methods by which the huge Sarsens were reared into position.

Stonehenge is a circular monument, enclosed by a circular earthwork,
and approached by an avenue lying north-east and south-west. Without
the circle lie four Sarsen stones. The Hele Stone, and two smaller
stones unworked, occupying definite sites with reference to the
rising and setting of the sun at the Summer and Winter Solstices; and
the so-called Slaughtering Stone, the use of which is at present a
matter of speculation. The monument proper, consisting of a circle of
Sarsen Trilithons, enclosing a circle of upright foreign stones.
Within these, five detached Sarsen Trilithons, of graduated height.
These five Trilithons are set horseshoe wise. Before them a standing
horseshoe of foreign stones, and in the front of the great Trilithon a
flat slab or altar stone. From this stone it is possible to look
outwards towards the Hele Stone, which lies in line with the axis of
the monument drawn through the centre of the Altar Stone. The Sarsen
stones were obtained from the immediate neighbourhood, the foreign
stones must have been imported from a very considerable distance. All
the stones, with the exception of the four specially indicated, have
been worked. The question naturally arises how were they worked? The
answer to this may be given without the least hesitation: with stone
tools. For many years the method of working the stones was a matter of
great debate, and the uncertainty then prevailing permitted many
theorists to speculate on the Roman origin of the structure. Now,
however, the entire absence of any metal which resulted from Mr.
Gowland's excavations in 1901, at once precludes the possibility of
the builders being anything but a primitive people, to whom the use
of metal was unknown, or only partly known. The stone tools in use in
the construction of Stonehenge were of four kinds.

i. Axes of rude form roughly chipped, and with a cutting edge.

ii. Hammer-axes, chipped to an edge on one side and flat on the other.

iii. Rounded hammer-stones; many of which show signs of bruising and
hard wear. The material used in these three classes was flint. All of
these tools would have been used in the hand, and not set in a handle.

iv. Rounded hammer-stones of Sarsen, varying from one pound to six
and a half pounds in weight. They would have been used for the surface
dressing of the stones, to which reference will be made later.

v. Mauls of compact Sarsen weighing between thirty-six and sixty-four
pounds. The broadest side of these was more or less flat, and when
wielded by two or three men they were capable of giving a very
effective blow. Their use would have been for breaking the rude blocks
into more or less regular forms; and consolidating the rubble
foundations. It is specially notable that no ground or polished stone
implements were found among them.

In addition to the stone tools, picks of deer horn were employed for
quarrying the chalk when making the foundations of the uprights. Those
who are familiar with the antlers of the deer, will recall the sharp
pointed tine, known as the brow tine, which projects forward from
the horn above its core or socket. This was the tooth of the pick, all
other tines being sawn off; thus transforming the antler into a very
rough implement closely resembling a pick, with a single point. Many
splinters from these picks were found actually embedded in the chalk
of the foundations, and one entire discarded example was discovered
showing great signs of use, the brow tine being worn away to a
considerable extent.

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